Small SEO changes CAN achieve big results. Free White Paper: 30 SEO Strategies for Corporate Web Sites
The Story behind the Book |
||
The ContractDuring the proposal submission and due diligence process, I had not involved my employer other than to let my manager know what I was doing. What I was doing did not encroach on work time and until I was offered a contract there was little point discussing things further. Equally, neither publisher knew that I was in talks with the other. From my point of view this was helpful as it kept my options open and in theory gave me a stronger bargaining positioning as and when it came to contract negotiations. However, as a first time author I did not want to risk upsetting either publisher by going behind their backs. As neither ever asked whether I was talking to anyone else I never needed to face this issue. After what seemed like a long time, both publishers offered me a contract. One seemed to me a much more preferable option to the other: not just the terms of the contract but my own feeling for the likely working relationship I would have with the preferred publisher (Morgan Kaufmann). So I had been offered a contract to write a book – amazing! However, I still needed to work out how on earth this would be possible in view of my work commitments. Would I get time off? If so, how long would I need? Who would own the copyright? Who would get the royalties? Would I leave my job if it came to it? Now that I had been offered a contract I also needed to consider whether I should try and get an agent. One friend who worked for a publisher suggested I ought to think seriously about getting an agent to help me negotiate the best contract. However, through my own research I had a fairly good idea what constituted a typical deal and ultimately I wasn't doing this for the money. Book writing was not my full time livelihood and I had done all the hard work in winning the contract so I felt why bring in an agent simply for them to take a cut and perhaps elongate the process further? I guess time will tell if I was unwise. pres.co have always been a very forward thinking company and I would like to think that in my relationship with the company, each has benefited, so I felt fairly confident that one way or other we could hammer out a deal that both I and pres.co would be happy with. It was clear to me by this stage that there was no way that I was going to be able to write the book outside of work time. Even with holidays, evenings and weekends, I would have killed myself in the process. This effectively meant that the copyright would belong to the company. Under UK copyright law, and according to the terms of my job contract, the copyright to any work that I did during work time as an employee belongs to the employer unless specifically agreed otherwise. Under the terms of the publisher's contract an exclusive, world-wide, non-revocable, all media (etc. etc.) licence was to be granted by the copyright holder to the publisher anyway so there seemed to be little point my trying to fight to keep ownership of the copyright. The 'deal' that I put together and which was agreed with pres.co ended up as follows:
|
||